You updated your password.

Reset Password

Enter the email address you used to create your account. We will email you instructions on how to reset your password.

Forgot Your Email Address? Contact Us

Reset Your Password

SHOW
SHOW

How to Paint

Brush up on those painting techniques you haven't used since you were in kindergarten and smearing paint with your fingers.
How to Paint is rated 4.2 out of 5 by 202.
  • y_2024, m_2, d_27, h_9
  • bvseo_bulk, prod_bvrr, vn_bulk_3.0.38
  • cp_1, bvpage1
  • co_hasreviews, tv_12, tr_190
  • loc_en_CA, sid_7827, prod, sort_[SortEntry(order=SUBMISSION_TIME, direction=DESCENDING)]
  • clientName_teachco
  • bvseo_sdk, p_sdk, 3.2.1
  • CLOUD, getAggregateRating, 7.62ms
  • REVIEWS, PRODUCT
Rated 5 out of 5 by from Wonderfully Enjoyable Course I really enjoyed this course but probably not for the reason Professor Allman intended. His goal no doubt was to inspire people to pick up the brushes and explore painting without fear. I am more of an observer than a do-er, so watching him create art over the 24 lectures was exactly what I wanted to do. It was very informative for me to see various painting techniques and hear Professor Allman express his thought process, and then paint without comment for a few minutes until the next burst of information. For the more likely audience, his encouragement and friendly mentoring style is what new students need to get off the ground for their own self-discovery. Maybe someday I will take up painting and if I do, Professor Allman will be the reason I jump in. He creates a safe space for non-judgmental trial and error that allows exploring one’s creativity - without fear.
Date published: 2024-02-24
Rated 1 out of 5 by from How to paint I just purchased this. Frustrating because it won't play!!!!!! And yes, I rebooted my phone. I'll try it on my computer in a few weeks after I return home from vacation. I was planning on watching this while painting on the road. So disappointing!
Date published: 2023-06-24
Rated 3 out of 5 by from Half done Overall Professor Ricky Allman was good. I liked his free flow (sloppy) of getting the basic shapes and values. Once this was done, looked nice but never finished, off camera he completed the picture, never showing how to add the finishing touches.
Date published: 2023-05-17
Rated 5 out of 5 by from Outstanding Painting Lessons! I signed up for Ricky Allman's "How to Paint" class after retiring in January 2023. I had very little previous exposure to painting and thought it would be a nice "hobby" to learn in my newly found free time. To my surprise, I found a whole new world opening up for me! The lessons are outstanding with Ricky's professional hands-on demonstration of each and every technique. Each lesson segment allowed me to visually see the techniques then practice what I learned on my own before moving forward. I have painted several artworks and I can see my skills improving. I absolutely highly recommend this program not only for beginners but for those who want to refresh their own techniques through learning Ricky's recommendations. This is an outstanding course, and I thank Ricky for giving me the courage and know-how to paint to my heart's content!
Date published: 2023-03-11
Rated 5 out of 5 by from Relaxed Pace The artist's relaxed style wherein he teaches by demonstrating and completing entire paintings without resorting to technical language I found to be precisely what I was looking for.
Date published: 2022-12-19
Rated 5 out of 5 by from I haven't finished watching the whole course but from what I have watched I can say I like it and would recommend. I like tutor's easy and practical approach which invites me to pick up a brush and just give painting a go. I have bought other courses outside GC and some of them can be so serious sounding it makes me procrastinate and freeze. Yes, what or how he paints the examples might not be the trendiest thing but I think he does it on purpose to make the skill feel really accessible.
Date published: 2022-12-12
Rated 5 out of 5 by from Inciteful lessons I'm just a dabbler in drawing and oils. I so enjoyed this course and learned so much about acrylics and techniques. I used these to create a cover to a book I'm writing.
Date published: 2022-12-06
Rated 5 out of 5 by from Tremendous I’m only at Lesson 8 and already I’m loving working with acrylics. In my sketching color has been an afterthought. Learning about value, volume, and shadow has added a freedom to my art. Prof Allman has already increased my fun working with colors, but also has given me a way to figure out a style of my own.
Date published: 2022-11-20
  • y_2024, m_2, d_27, h_9
  • bvseo_bulk, prod_bvrr, vn_bulk_3.0.38
  • cp_1, bvpage1
  • co_hasreviews, tv_12, tr_190
  • loc_en_CA, sid_7827, prod, sort_[SortEntry(order=SUBMISSION_TIME, direction=DESCENDING)]
  • clientName_teachco
  • bvseo_sdk, p_sdk, 3.2.1
  • CLOUD, getReviews, 4.53ms
  • REVIEWS, PRODUCT

Overview

Master the fine art of painting with an award-winning artist and professor.

About

Ricky Allman

Art has a unique way to make us see our world, our times, and ourselves in a different way. It helps us make sense of the world around us.

INSTITUTION

University of Missouri, Kansas City

Ricky Allman is a Professor of Painting and Drawing at the University of Missouri–Kansas City. He earned an MFA in Painting from the Rhode Island School of Design. His paintings have been exhibited in such American cities as New York, Miami, and Los Angeles and internationally in London, Beijing, and Edinburgh, among other cities. His work has also been featured in many publications, including the Los Angeles Times and Harper’s Magazine. He has received the UMKC Trustees’ Faculty Scholar Award and Charlotte Street’s Visual Artist Award.

By This Professor

Post-Impressionism: The Beginnings of Modern Art
854
How to Paint
854
How to Paint

Trailer

The Painter’s Toolkit

01: The Painter’s Toolkit

Begin by learning how to embrace the physicality, messiness, and freedom inherent in the earliest stages of a painting. Professor Allman demonstrates how to practice loose, dynamic paint strokes using your entire arm—not just your fingers and wrist—and also goes over some of the basic supplies you will use when starting out.

25 min
Getting Started: Surfaces and Brushwork

02: Getting Started: Surfaces and Brushwork

You have your (acrylic) paints and your brushes, now what? First, learn what kinds of surfaces are best for beginning painters and how to choose the one that works for you. Then, follow Professor Allman as he walks you through a demonstration on creating gradients, and get to know the kinds of brushes you will use to achieve different lines and effects.

23 min
Fundamentals: Establishing Value

03: Fundamentals: Establishing Value

Value—the spectrum of light and darkness in an image—is crucial to the way our brains translate images into meaning. See why understanding value is more important than understanding color, and develop your ability to pinpoint value differences in your subjects. Follow along with a demonstration on how to break an image down into its fundamental values.

25 min
Fundamentals: Building Volume

04: Fundamentals: Building Volume

This lesson opens with a brief look at the rendering of three-dimensional forms using light and shadow, known as volume, and why it is easier to achieve than you might think, once you know how to look at the effects of light. Paint geometric objects using your new understanding of light sources, cast shadows versus form shadows, and reflective effects.

22 min
Fundamentals: Basics of Color Theory

05: Fundamentals: Basics of Color Theory

Understanding color is about discerning the subtle differences in value, hue, and saturation. Professor Allman introduces practical color theory and shows you how to break colors down into a simple matrix so you can create the shades you need. Learn how to directly mix paints and the principles of optical mixing as you create your own 12-step color wheel and value scales.

28 min
Fundamentals: Creating Color Palettes

06: Fundamentals: Creating Color Palettes

Why is color like musical notes? In this second look at color, learn how context and interaction is key, and why a limited palette of four or five colors can be surprisingly powerful. Create a quick painting from a monochrome reference image, using just four colors, while utilizing ratio, value, and temperature to do the heavy lifting of the piece.

32 min
Fundamentals: Compositional Choices

07: Fundamentals: Compositional Choices

Step beyond the basics and explore broader elements of painting. Look at arrangement and composition, exploring ideas of symmetry, hierarchy, dynamics, and more. Discover why traditional approaches like the Golden Ratio aren’t the only options for arranging your work, and end with a sketching session to explore how to plan your work before you start painting.

17 min
Putting It All Together: A Simple Landscape

08: Putting It All Together: A Simple Landscape

Apply everything you have learned so far and paint a simple landscape with acrylic paints, based on a photographic reference. Professor Allman goes over all the tools you will use and leads you through the process of sketching, beginning with mapping major, medium, and small value areas and finishing with details.

36 min
Creating Linear Perspective

09: Creating Linear Perspective

Like value and volume for objects, linear perspective will help you create the appearance of architectural space on a 2-D surface. Though it can be challenging for even experienced artists, the principles are actually fairly simple. Master elements of linear perspective and then put them into practice as you follow along with Professor Allman‘s demonstration.

43 min
Creating Atmospheric Perspective

10: Creating Atmospheric Perspective

Explore the ways you can create the illusion of large distances using the techniques of atmospheric perspective, including making objects more or less distinct and creating contrast between the foreground, middle ground, and background. Practice creating a grand sense of space with a simple landscape of hills and mountains.

26 min
Putting It All Together: A Still Life

11: Putting It All Together: A Still Life

Hone your observational skills and develop your personal creative perspective as you tackle a still life composition. Professor Allman’s demonstration will help you bring together all the techniques you have learned so far while still allowing you to arrange your own subject and to make crucial decisions about value, proportion, and more.

33 min
Working with Oils

12: Working with Oils

Oil paints have been the most popular painting medium since the European Renaissance. Transition from acrylics to the traditional realm of oil paints, exploring the many benefits—blending and transitions, texture, the rich pigments—while also learning how to deal with some of the more challenging aspects, such as varied drying times and toxicity.

44 min
Traditional Oil Techniques: Grisaille

13: Traditional Oil Techniques: Grisaille

Continue your foray into oil painting, starting with the versatile, monochromatic underpainting technique known as grisaille. Create an underpainting from a reference image, utilizing paint that has been thinned to create a smooth surface for the overpainting. After your underpainting is complete and dry, progress to adding thin, luminous layers of color.

39 min
Working with Acrylics

14: Working with Acrylics

Return to acrylics to explore their advantages and disadvantages and how to use techniques that are particularly suited to them: glazing, sanding, and masking. Explore different mediums you can incorporate to slow drying time or change paint consistency, and watch Professor Allman as he begins work on a street scene in acrylics.

30 min
Playing with Mediums

15: Playing with Mediums

If you don’t touch paintings, why is surface texture so important? As it turns out, the visual surface quality of a painting can trigger the area of the brain that processes tactile sensations. Experiment with mediums you can incorporate into your acrylic paints to create a variety of textures, from high-shine glosses to gritty pumice to the watercolor-effect of absorbent ground.

39 min
Painting Water and Clouds

16: Painting Water and Clouds

Dive into the challenging diversity of the natural world, starting with bodies of water and clouds. First, identify common elements and look closely to determine color temperature and value areas. Then, work from simple structure to finer details as you build up your painting. Finally, add shadows and highlights to capture shape and atmospheric conditions.

38 min
Painting Trees and Bark

17: Painting Trees and Bark

Take advantage of the immense varietyies of trees to create natural compositions and experiment with various shapes and textures. Professor Allman leads you through a demonstration focused on building up different types of trees from basic shapes to foliage and bark texture, including techniques to suggest leaves and needles without excessive detail.

37 min
Painting Rocks and Mountains

18: Painting Rocks and Mountains

It’s not what you paint that makes an interesting work: It’s how you paint it. Even something as mundane as a rock can be compelling; as you will see as you undertake a study of rocks using chromatic grays. Learn how to create shades of gray from complementary colors as Professor Allman captures the variety and complexity of stone in a simple landscape.

37 min
Painting Light

19: Painting Light

You have looked at the interaction of light and shadow, now broaden your look at the effect of light through the lens of the four main aspects you should know: type of light source, brightness, color, and direction. Professor Allman’s demonstration focuses on several strategies for painting light using a candle as your source and subject.

27 min
Painting Glass

20: Painting Glass

Engage with a subject that can intimidate even seasoned painters: glass. Learn how to focus on what can be seen through glass objects, rather than on the glass itself, to capture its unique properties. Undertake a simple glass still life, using highlights and shadows to suggest shape rather than outlining or blocking.

31 min
Painting People

21: Painting People

In the age of instant photography, why paint portraits? Professor Allman discusses the amazing ability of portraits to capture truths about both the subject and the artist, as he introduces you to the proportions of the human face and then demonstrates how to “build” your portrait in much the same way you have tackled previous subjects.

47 min
Getting Creative: Composition

22: Getting Creative: Composition

Up to this point, Professor Allman has focused on the tools and techniques of representation. Now, turn your attention to the ways you as an artist can explore new ideas and techniques to tap into your own creativity. Consider how to find and use a variety of references and materials, closing with an exercise in painting using tape to explore the figure-ground relationship.

34 min
Getting Creative: Surface and Texture

23: Getting Creative: Surface and Texture

Further stretch your creative horizons as you leave traditional tools behind and explore new materials and techniques. Featuring four different demonstrations, this lesson will show you how to utilize unique painting surfaces, paint with palette knives instead of brushes, incorporate other media into your paintings, and add collage to your repertoire.

30 min
Getting Creative: Space and Dimension

24: Getting Creative: Space and Dimension

Conclude your lessons by freeing yourself from the boundaries of realistic space and, with some guidance from the work of M. C. Escher, use perspective in inventive ways. Learn how to let go of the constraints of realism and transform the two-dimensional surface of your painting into a space where your imagination can take flight.

34 min